When I first wrote of the world’s financial crisis and it’s effect on 2009′s fashionFashion global credit crisis I questioned what designers and fashion houses would do as a result. Would they reduce their quality in order to keep the middle market spending? Or would they do the opposite: promote their high end, high price point in order to attract high wealth clients not necessarily effected by the ‘credit crunch’.

With the likes of Marks & Spencer seeing a 6.2 slump in fashion sales it seems that my prediction that the middle class’ wallets would tighten and the upper classes remain largely unaffected will be exactly how 2009 will play itself out for the fashion industry.

In a series of interviews with fashion accessory houses, WWD has questioned the likes of Chopard, Kate Spade, and Luxottica on how they see 2008 and 2009 panning out.

Chopard have seen their upper class market grow, with jewellery sales now averaging $10,000-$25,000 per piece and watches averaging $100,000 per piece. To react to the credit crisis Chopard have “targeted more [non-United States] clients” and have looked for opportunities with “existing client?©le” (a good lesson, remembering that it’s cheaper to keep a client than find a new one).

Kate Spade haven’t shifted their strategy at all and continue with a middle market customer: $300-$350 is their strongest price point.

Luxottica are looking for growth outside the traditional markets of the United States, the United Kingdom, and continental Europe. Rather, they’re concentrating in the emerging markets of “Australasia and Greater China.”

Finally, Kara Ross is taking the ‘reduced price point’ strategy and are “trying to bring the price points down on [their] bags” all while trying not to compromise on quality.

2009 Fashion Trends

Stay ahead of the fashion, hair, and beauty trends with Fashionising.com’s constantly updated Fashion Trends 2009 guide.

Share:  
 Newsletter:
Author

Written by .

Late one Oxford night Daniel P Dykes set about creating a fashion publication that would go someway to being an arbiter on fashion as it appeals to the emerging power generations: those who don't remember a world without the Internet and for whom work plays second fiddle to pleasure. And so Fashionising.com was born as a publication for those who were focussed not just on fashion's trends, but on society's too, and how those trends could all go to heighten the art of living. Hence, Daniel sees a future where, for those young at heart, both fashion and style are grounded in traditional quality, but with a youthful, sensualised edge. Daniel is Fashionising.com's Editor in Chief and Chairman.