Olivier Rousteing is not the kind of name that sends bells of familiarity ringing in your head. But that will likely change. Balmain have chosen Rousteing as the house’s new Creative Director after the departure of Christophe Decarnin.

Rousteing was already running Balmain’s womenswear design studio behind the scenes. Now in handing him the reigns Balmain are giving a young man a huge opportunity and the brand, in a sense, a fresh start. Big names bring with them big publicity – but also big preconceptions. If another fashion house’s Creative Director were poached for the job they’d come lugging behind them a train of luxurious yet heavy baggage. If Tisci took over, for example, we’d be pre-speculating how he’d transition from Givenchy and how much of his penchant for all things dark would manifest in Balmain’s presently sequin-covered brand. No such preconceptions for a man we know relatively little of.

But for Rousteing that’s by the by, as he now faces a double challenge: the pressure of being the recognized name and face of a major luxury brand – a pressure which has proved soul-destroying for too many a tortured genius in the past – atop the pressure of stepping into someone else’s (sizeable) shoes.

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Via.

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KATE BOLLARD
KATE BOLLARD wrote on 27th April 2011 at 22.06:
I love Balmain and Christophe Decarnin so for me I have slightly high expectations. I hope Olivier Rousteing can deliver as the new creative director. I think the fast he has been running Balmain's womenswear design studio for the past few yrs that he will be able to undertake this. Yes I do doubt his ability alittle but im hoping im wrong!
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Some people's wardrobes are about a small selection of pieces that all fit within one aesthetic - Tania Braukamper isn't such a person. With a wardrobe that spans three different rooms, her approach to fashion is a mixture of current-season key pieces mixed with vintage finds she's sourced on innumerous shopping trips around the world's more cultured capitals. Despite a disparate approach to shopping, Tania is adamant that the key to mixing vintage with new season is to stick to key looks and colours that work for oneself. And it's a theory that she works into her writing for Fashionising.com, where she serves as the publication's Editor.