How to spot a supermodel amoung models: weekend read

One male writer, uninitiated to the process of model castings, sat in on a September casting call session in Manhattan. He recorded his point of view for Time Magazine, discovering that beauty comes from all places but that not all models are quite created equal:

NYFW casting calls
Image: Dan Nguyen for

The turn around, like an about face in a military parade, appears to be the most challenging part. Each model has her own technique: some shift their heels to the side and step around where they stood a micro second before; others move the left foot slightly behind the right and complete the turn before the watcher has time to realize what she’s done.

That back step technique appears to have the highest degree of difficulty and the biggest payoff, because each of the three times I saw it, Weir leaned over to me excitedly and said, “Watch this. This is a Supermodel.” He told me to concentrate on the walk, the glide, pause, turn, glide, pause. At first it was hard to see exactly what separated these few gorgeous women from the room full of other gorgeous women until it hit me: they were executing movements with a precision usually seen in military parades. They did all of this under blinding, blazing lights wearing four-inch stiletto heels. But the great ones made it look effortless, appearing to expend no more energy than sitting on a couch. “That in the human race doesn’t happen very often,” Weir tells me after one of the supermodels exits the stage.

Read the full article here.

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Some people's wardrobes are about a small selection of pieces that all fit within one aesthetic - Tania Braukamper isn't such a person. With a wardrobe that spans three different rooms, her approach to fashion is a mixture of current-season key pieces mixed with vintage finds she's sourced on innumerous shopping trips around the world's more cultured capitals. Despite a disparate approach to shopping, Tania is adamant that the key to mixing vintage with new season is to stick to key looks and colours that work for oneself. And it's a theory that she works into her writing for, where she serves as the publication's Editor.