What causes some images – some of the most breathtaking, captivating images – to get left behind on the cutting room floor? As lamented by Daniel in the past, print magazines have a physical limitation that the digital world does not, one that often results in ‘wasted art’ never to be appreciated by anyone but the artist. Today we get another sideways glimpse into the editing process by way of Benjamin Kanarek‘s couture shoot – first appearing in Harper’s Bazaar China, now in Harper’s Bazaar en Espanol’s May 2011 issue. The difference between the two? The latter contains additional images.
And aren’t we fortunate they came to light. At first glance one could only imagine that these three stunning images (which can now be found at the end of the accompanying gallery) must have been left out by either some mistake, or some form of editorial insanity. On closer inspection, noting the designers of the pieces, it seems logical to conclude that only the household names made the cut in the Chinese issue. A huge shame, if that be true – not only are these brilliant pieces, but fashion is best when viewed as a journey of discovery.
To continue the discovery also check out Benjamin’s blog – he has some great information about the designers and the complexity of the pieces featured in the bonus shots.
