Creative projections

One of my most memorable Las Vegas experiences was going to see Crazy Horse at the MGM Grand (on a side note, despite its lack of authenticity, I actually found the Vegas show to beat Paris’ hands down; such is the production value of Vegas shows). As the curtains raised and a rank-and-file lineup of perfect topless bodies stood marching on the spot in little but some leather accessories, officer’s caps and boots, I was immediately struck by one thing: the lighting. The nudity of a cabaret show, a strip show, was not only played down it was heightened in sensuality by a changing series of light projections across the stage. In viewing the latest shoot by Timmothy Lee I’m reminded of that effect. Like the performers’ bodies which were kissed by colourful shadows, so too is model Afroditi’s and the effect is similarly simple-yet-striking.

I wouldn’t at all venture to say that Lee’s effect was copied from a Vegas stage, rather that it results in the same softening, intriguing effect that I’ve personally admired before. Timmothy Lee is someone we’ve come to know for his creativity in shoots, always thinking outside the box from the darkly 3-dimensional to the typographic to the hand drawn. And this latest shoot is yet another to take lack of clothing into a fashion context in the most beautiful, most creative of ways.

afroditi by timmothy lee

Click the thumbnails for full pictures:
Afroditi by Timmothy Lee
Afroditi by Timmothy Lee
Afroditi by Timmothy Lee
Afroditi by Timmothy Lee
Afroditi by Timmothy Lee
Afroditi by Timmothy Lee

Click on the gallery to view the full shoot.

For more about Timmothy Lee visit

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Some people's wardrobes are about a small selection of pieces that all fit within one aesthetic - Tania Braukamper isn't such a person. With a wardrobe that spans three different rooms, her approach to fashion is a mixture of current-season key pieces mixed with vintage finds she's sourced on innumerous shopping trips around the world's more cultured capitals. Despite a disparate approach to shopping, Tania is adamant that the key to mixing vintage with new season is to stick to key looks and colours that work for oneself. And it's a theory that she works into her writing for, where she serves as the publication's Editor.