Kate Moss farewells the Ritz

Kate Moss is something of a legend in the fashion world, now, albeit a living one; so one might imagine that a shoot she stars in would be focused on her. But this editorial for Vogue US is not: it’s all about the location.

It was photographed at the Ritz Paris, and what Kate is doing instead is lending her legend to a homage of the opulent and storied hotel. The couture gowns featured in the shoot are befitting of the surroundings, though in all it’s a kind of farewell to the Ritz in its current incarnation as it closes its doors for renovation.

kate moss ritz paris

Click the thumbnails for full pictures:
Kate Moss: Vogue US, April '12
Kate Moss: Vogue US, April '12
Kate Moss: Vogue US, April '12
Kate Moss: Vogue US, April '12
Kate Moss: Vogue US, April '12
Kate Moss: Vogue US, April '12
Kate Moss: Vogue US, April '12
Kate Moss: Vogue US, April '12
Kate Moss: Vogue US, April '12
Kate Moss: Vogue US, April '12
Kate Moss: Vogue US, April '12
Kate Moss: Vogue US, April '12
Kate Moss: Vogue US, April '12

In Vogue’s pages are personal accounts of the Ritz: André Leon Talley gives a somewhat indulgent account, Amanda Harlech paints a picture of a well-oiled machine that adheres to a dying breed of old fashioned customer service, while author Edmund White speaks to the more troubled side of its star-studded history (worth reading, you can find White’s account here). On these accounts, Tim Walker’s opulently photographed shoot becomes not just an editorial but both a celebration of the Ritz and a manifestation of the collective nervousness an industry holds over what a renovation might mean to the once-home of Coco Chanel.

Beautifully styled by Grace Coddington, you can view more at the gallery above.

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Some people's wardrobes are about a small selection of pieces that all fit within one aesthetic - Tania Braukamper isn't such a person. With a wardrobe that spans three different rooms, her approach to fashion is a mixture of current-season key pieces mixed with vintage finds she's sourced on innumerous shopping trips around the world's more cultured capitals. Despite a disparate approach to shopping, Tania is adamant that the key to mixing vintage with new season is to stick to key looks and colours that work for oneself. And it's a theory that she works into her writing for Fashionising.com, where she serves as the publication's Editor.