L’Oreal Melbourne Fashion Festival (LMFF) took a well deserved break from the frilly cocktail dresses, models trading their high heels for unlaced boots and their sexy struts for nonchalant swaggers, at Wednesday night’s L’Oreal Paris Runway 5.

Jethro Cave on the runway at LMFF

Fool opened the show with a brightly-coloured spectacle of novelty hats, pom-poms, soft toys and other miscellany, before wild-child model Jethro Cave emerged in Jack London’s tight black leather pants, drawing excited cheers from the young female crowd.

Alpha60‘s relaxed cuts and loose fits were effortlessly sexy on both the boys and girls. NOM*D layered up pieces with raw edges and unfinished hems in a jumbled celebration of textures, prints and fabrics. ANT!PODiUM introduced some casual androgyny with boyfriend shirts and tees along with tailcoats and tophats.

S!X brought what I’m starting to feel is an obligatory element to any supposedly-innovative show; deconstructionism. Though some of the deconstructed looks were a bit too cliche for my liking, other outfits worked well in a thrown-together yet more saleable way.

L'Oreal Paris Runway 5

Friedrich Gray was another highlight of the evening – look out for some super-cool skinny pants that are leather from the thigh down, giving the illusion of over-the-knee boots. Therese Rawsthorne closed the show with looks that were rocked-up femininity, including some seductive uses of the sheer trend and some interesting sequin details.

Click on the gallery below to view more photos of the L’Oreal Paris Runway 5 parade.

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Some people's wardrobes are about a small selection of pieces that all fit within one aesthetic - Tania Braukamper isn't such a person. With a wardrobe that spans three different rooms, her approach to fashion is a mixture of current-season key pieces mixed with vintage finds she's sourced on innumerous shopping trips around the world's more cultured capitals. Despite a disparate approach to shopping, Tania is adamant that the key to mixing vintage with new season is to stick to key looks and colours that work for oneself. And it's a theory that she works into her writing for Fashionising.com, where she serves as the publication's Editor.