Looks like Abbey Lee Kershaw has ditched her long, grungy locks and kept the sleek, shoulder-length bob. Do we love her any less? Hell no. There’s a certain 1970s sophistication that comes from mixing Abbey and this ‘do, and we’ll undoubtedly see it styled in a hundred different ways faster than you can say me too please. The safari colours and feathery furs in this shoot only add to the effect.

Abbey Lee Kershaw: Vogue Nippon, July 2010
Click on the image for the full shoot

Click the thumbnails for full pictures:
Abbey Lee Kershaw: Vogue Nippon, July 2010
Abbey Lee Kershaw: Vogue Nippon, July 2010
Abbey Lee Kershaw: Vogue Nippon, July 2010
Abbey Lee Kershaw: Vogue Nippon, July 2010
Abbey Lee Kershaw: Vogue Nippon, July 2010
Abbey Lee Kershaw: Vogue Nippon, July 2010
Abbey Lee Kershaw: Vogue Nippon, July 2010
Abbey Lee Kershaw: Vogue Nippon, July 2010
Abbey Lee Kershaw: Vogue Nippon, July 2010
Abbey Lee Kershaw: Vogue Nippon, July 2010
Abbey Lee Kershaw: Vogue Nippon, July 2010
Abbey Lee Kershaw: Vogue Nippon, July 2010
Abbey Lee Kershaw: Vogue Nippon, July 2010
Abbey Lee Kershaw: Vogue Nippon, July 2010

Photographed by Angelo Pennetta for Vogue Nippon’s July 2010 issue.

You can see the whole gallery by clicking on the picture above.

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Some people's wardrobes are about a small selection of pieces that all fit within one aesthetic - Tania Braukamper isn't such a person. With a wardrobe that spans three different rooms, her approach to fashion is a mixture of current-season key pieces mixed with vintage finds she's sourced on innumerous shopping trips around the world's more cultured capitals. Despite a disparate approach to shopping, Tania is adamant that the key to mixing vintage with new season is to stick to key looks and colours that work for oneself. And it's a theory that she works into her writing for Fashionising.com, where she serves as the publication's Editor.