Free People’s spring 2015 Megalog continues with Catherine McNeil’s segment, titled “Game Changer”. The brand’s boho aesthetic gets a casual, sporty makeover in denims, overalls and hoodies.
Often the best covers are the most minimal ones. Russh Magazine’s December / January 2013/14 issue features Australian model Catherine McNeil in just a white dress – casually dropped off the shoulder – and a messy, textured bob, tucked back to reveal her multiple ear piercings and spider web tattoo. Venus Rises is the slightly cryptic tagline.
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Australian model Catherine McNeil takes the cover of the November 2013 issue of Numero Russia while clad in a mink cape by Fendi. For this cover, Catherine goes topless with just long gloves and smokey eyes, with creative direction by André Leon.
The new generation of supermodels – namely Ameline Valade, Catherine McNeil, Sasha Luss, Daphne Groeneveld, and Soo Joo Park – all pose alongside each other for this mesmerizing portrait for Numero. The models all are sporting smokey kohl-lined eyes with matching wind blown hair and an all black ensemble.
This ad just proved something, to me at least. For a campaign to immediately hit you in that woah-should-I-be-looking-at-this-at-work kind of way that might make you blush if someone was standing over your shoulder (because, frankly, it’s just a little too hot), it doesn’t necessarily need to have Terry Richardson’s smut-tastic hallmarks all over it. Somehow Donna Karan’s fall 2013 campaign starring Catherine McNeil feels…
Just when we thought Francesco Scognamiglio’s sheer closing numbers couldn’t get any more breathtaking, the lights dimmed during the closing walk and it happened. The Australian contingent making up the show’s finale – Catherine McNeil followed by Julia Nobis – were lit up by a soft and ethereal glow as they rounded the last corner. Scognamiglio’s appliquéd lace gowns shone around their lithe silhouettes making…
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The curling tongs were out and the red lipstick being layered on for maximum glamour. The beauty look at Marc by Marc Jacobs fall 2013 was, in a word, classic. Simon Ackerman captured the look on model Catherine McNeil backstage before the show.
Let’s not forget that the word animal is both a noun and an adjective. It can describe a living creature, sure, but it can also describe an impulse, a brutishness, a carnal instinct that exists in humanity when you strip away society’s bounds. Txema Yeste’s interpretation of the ‘animal’ theme feels like an exploration of the latter. Brilliantly set to the MS MR track Hurricane…
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