It’s a prim and proper Natasha Poly that stars on Vogue Turkey’s September 2012 cover, dressed in all autumnal browns with chocolatey satin sleeves peeking out from a winter cape. The peachy-pink cheeks add a warmth to the whole look.
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If you’re going to debut a Russian issue of anything fashion, you couldn’t do much better than landing Natasha Poly for the cover. While unfortunately buried beneath a bit too much text, Poly’s perfectly made-up face graces the first issue of Russian Allure.
It’s hard to say whether Natasha Poly’s arm is just completely hidden from view or a casualty of photoshop – Doutzen Kroes for Vogue China style – but either way she’s looking entirely glamorous for the cover of the magazine’s August 2012 issue.
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A great model isn’t made by looks alone; it’s in the way he or she moves, in their expressiveness, in their chameleon ability to contort into different shapes and personas. Antidote’s accompanying video for their ‘Icons’ shoot showcases more of those qualities, leaving no doubt as to the fact that Bianca Balti, Malgosia Bela, Naomi Campbell, Saskia de Brauw, Eva Herzigova, Natasha Poly, Aymeline Valade…
They’re all models at the top of their game (or at least near enough to it), but is Antidote magazine right to call them all icons?
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Kate Upton in front of the lens, Terry Richardson behind it. You can already imagine what the resulting photo shoot is like. Just scrub nudity you imagined in the images – Kate Upton may be a pin up, but I can’t think of a single photo shoot of hers that includes explicit nudity. She’s doesn’t do anything more. Maybe yet ought to be added to…
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I love a grainy, black and white image. There’s something about the low quality that adds a sense of reality for me. Perhaps because you can see less you’re forced to feel more. What’s actually happening in the photo is never quite revealed and thus never dictated, therefore you’re left to imagine it for yourself. And imagine what happened behind the scenes on Natasha Poly’s…
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While the introductory text is lost on me (nonexistant is my Japanese), thus leaving me with no official insight, I can’t help but wonder if this shoot owes a minor debt to The Artist. It’s obvious 1970s glam styling twists aside, it sets out to convey a particular mood (melancholy) and does so not just with moody lighting or pensive facial expressions but with theatrical…
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Bombshell silhouettes, headscarves, retro-print bodysuits and Prada’s hotrod heels. If there’s one thing to be learned from Vogue China’s March 2012 shoot starring Natasha Poly and Isabeli Fontana, it’s that “The New Fifties” looks a lot like the old – only sexier.
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