The beanie season has definitely arrived as Zuzanna Bijock poses in oversized beanies for the cover of the supplementary issue of W Korea. Zuzanna looks captivating from the cover to the spread of the magazine with smokey kohl eye makeup by Ayami Nishimura and a choppy faux-fringe. Catherine Servel photographed Zuzanna for this October 2013 edition of W magazine Korea.
Model Zuzanna Bijoch poses for this sexy and dramatic advertisement campaign of Tom Ford Black Orchid fragrance in gorgeous purple shades for make up and hair gorgeously side parted.
Tom Ford’s fall / winter 2013 ad campaign is striking! From the women’s line to the eyewear line, the designer again assumed the role of photographer to his own collection for the coming season.
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Polish top model Zuzanna Bijoch is a stunning cover girl for the July issue of Vogue Latin America as captured by Marcin Tyszka. The beautiful model poses for a glamorous summer themed photo shoot, bringing lots of colors, fresh feeling and vibe by wearing a floral jumpsuit and s gorgeously styled side parted hair for this issue of Vogue Latin America.
Off duty model Zuzanna Bijoch could have stuck to all black, and would have stood out far less if she did. One simple accessory – a patterned scarf – adds enough brightness to change an entire outfit. The crown braids add another sweet facet to the outfit, breaking the bleakness of the black.
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On the runway, Alberta Ferretti’s spring 2013 collection was styled in the image of the sea-dwelling goddess. But trading wet hair for long fringed hairstyles and laying attitude on thick (in one shot by way of reflective, oversized, sunglasses), the collection’s campaign takes it out of the sea and into the city, presenting the pieces in a way that would take a woman from day…
I’ll disclaim from the outset that the title of this post is inaccurate: “best”, when it comes to any form of art, is subjective. There’s no right or wrong on what can be called the best when it comes to fashion shoots, but there’s only so much you can explain in a title so I’ll say it here instead. There are certain editorials that stand…
Etro’s spring / summer 2013 collection was lashing back against digital prints. It’s a point of differentiation: with print being so prominent this year and next, a traditional fashion house has to find a way to stand out against the myriad high street versions and give people good reason to invest. For Etro that meant taking things back to slow, time consuming processes; true expertise…
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